No Man’s Land showcases young Thai artists’ take on the human body and more specifically, the theme of femininity and what it means to be a woman in this day and age.
In art, women have long been defined as objects, and have been subjected to the male gaze since most painters and owners of works of art were men. You can thus imagine my excitement when I first found out the title of this exhibition – No Man’s Land, and then the level of anticipation I held when I found out that these were young, up-and-coming artists – both men and women – who sought to challenge traditional gender norms through their craft.
And challenge they did! A total of 14 pieces were exhibited from 7 artists, all of whom hold a MFA in Painting from Silpakorn University in Bangkok, Thailand. All of the works exhibited came from a place of personal storytelling and what they feel is a reflection of the typical Southeast Asian woman.
I was 13, or 14 when I really got into painting. The first thing I ever painted was myself! I would picture and draw myself as a cartoon image.
Because they’re all me! I fit my face onto images that I like. I take a photo of myself and then draw it out. Like in Eyeliner and Eyeshadow, I borrowed the worker’s overall from my brother, took a photo of myself in it and proceeded to render it in painting.
I do not need them to like my paintings, just to understand the different stories I have presented, especially how women can and should be seen as heroes as well.
In her work Eyeliner and Eyeshadow, Anchalee portrayed what I would call the ultimate worker-Barbie. In a bid to show that women – in full pin-up style makeup no less – are able to perform jobs that are traditionally associated to men, she has gone for the obvious kill.
She has juxtapositioned her ideas of femininity with the strength that so often comes with being macho, to the point where the audience is left puzzled. We don’t really know if the exaggerated Barbie-ness or the alluded strength of the doll-faced subject is the main focus of her work.
Perhaps all that is unimportant, and all that matters is how elements of empowerment and resistance to the patriarchy reveal themselves at first glance.
Widsanupong added a sophisticated touch by combining realist drawing with a bas-relief image. He’s cleverly married these two techniques to drive home a point: that an individual does not exist in a single dimension.
Cue the rain and melancholic music. This hyper-realist rendering of lost love left me standing in front of this piece, wondering how he dealt with it all. A great romance, untainted if not for time’s insistence that it should end.
In the great expanse of nature her subject is free to be as womanly as she wants, as she’s intended to be.
For those interested in exploring and understanding the female body from a Southeast Asian perspective, you definitely have to check out No Man’s Land before the exhibition ends on the 28th June 2014.
Be sure to keep an eye on that space as they frequently hold month-long exhibitions, and if they’re anything like No Man’s Land, then I can assure you it’s definitely worth a visit.
Address: One East Artspace, 15 Scotts Road, #05-08/09 Thong Teck Building, Singapore 228218
Opening Hours: Monday – Friday (10am – 7pm), Saturday (By appointment only)
This post and all images were brought to you by One East Asia.
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